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Bradbrook), it can be said that in TN Malvolio as well as Viola who disguises herself in male costume disguises himself in the form of mental disguise, too, as he tries to assume a role of \u0027Count Malvolio\u0027 in spite of his reality as steward. Viola\u0027s disguise is thought to represent the androgyne while Malvolio\u0027s represents the difference between appearance and reality. Malvolio\u0027s later comical disguise in yellow stockings symbolises it well. The feature of both disguises lies in the duality. In the case of Viola it is related to the myth of Hermaphrodite and Salmacis in Ovid, where the androgyne has two opposite images-perfection and deformity-traditionally (W. E. Slights). Viola develops into a perfect woman hermaphroditically, acquiring masculinity thanks to male disguise as Rosalind does or Portia symbolises. But she, in contrast to them, is restrained and made monstrous by disguise, too. 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Twelfth NightにおけるDisguiseの二面性
https://chukyo-u.repo.nii.ac.jp/records/9916
https://chukyo-u.repo.nii.ac.jp/records/99163c2a3943-75ed-496c-82e9-ef93e50d0d36
名前 / ファイル | ライセンス | アクション |
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KJ00004530657.pdf (1.3 MB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper_02(1) | |||||
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公開日 | 2016-11-14 | |||||
タイトル | ||||||
タイトル | Twelfth NightにおけるDisguiseの二面性 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Duality of Disguise in Twefth Night | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN00144391 | |||||
著者 |
細川, 眞
× 細川, 眞× HOSOKAWA, Makoto |
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著者所属(日) | ||||||
文学部 | ||||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Monograph | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | If we see disguise as 'the substitution, overlaying or metamorphosis of dramatic identity, whereby one character sustains two roles' (M. C. Bradbrook), it can be said that in TN Malvolio as well as Viola who disguises herself in male costume disguises himself in the form of mental disguise, too, as he tries to assume a role of 'Count Malvolio' in spite of his reality as steward. Viola's disguise is thought to represent the androgyne while Malvolio's represents the difference between appearance and reality. Malvolio's later comical disguise in yellow stockings symbolises it well. The feature of both disguises lies in the duality. In the case of Viola it is related to the myth of Hermaphrodite and Salmacis in Ovid, where the androgyne has two opposite images-perfection and deformity-traditionally (W. E. Slights). Viola develops into a perfect woman hermaphroditically, acquiring masculinity thanks to male disguise as Rosalind does or Portia symbolises. But she, in contrast to them, is restrained and made monstrous by disguise, too. Viola/Cesario has attracted Olivia and Orsino homosexually, and moreover, she/he has become a hypocritical devil, confused with the twin Sebastian. All these confusions and ambivalences turn out to be indicative of liminality in initiation. On the other hand, the archetype of Malvolio's disguise would be regarded as the disguise of the serpent whose characteristic is deceit. He is a self-deceiver as seen from his discrepant role-playing. That fault is laughed at and punished by revellers in festive mood such as Sir Toby, Maria and Feste, who are also disguisers, but whose disguises are judged good, though their essence is deceit, too. Here we can find duality in the disguise of deception. But Malvolio's disguise has another aspect. It is one of the reversal of social standing. When we see Malvolio playing a role of 'Count Malvolio' attack the parasitic aristocrats home in a playlet (2. 5.), his disguise is found to be a symbol of social rebellion and revolution rather than a butt of laughter there. Thus it can be said that Malvolio's disguise itself has duality, too. | |||||
書誌情報 |
中京英文学 en : Chukyo English literature 巻 7, p. 15-44, 発行日 1986-12-25 |
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表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 6 | |||||
アクセション番号 | ||||||
内容記述タイプ | Other | |||||
内容記述 | KJ00004530657 | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 02852039 |