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  1. 紀要論文
  2. 学部
  3. 国際英語学部
  4. 中京英文学
  5. 7

『ハック・フィン』はイニシエーションの物語か

https://chukyo-u.repo.nii.ac.jp/records/9915
https://chukyo-u.repo.nii.ac.jp/records/9915
09bdeae2-b18b-4d17-a8a7-8d380a5609bb
名前 / ファイル ライセンス アクション
KJ00004530656.pdf KJ00004530656.pdf (599.0 kB)
Item type [ELS]紀要論文 / Departmental Bulletin Paper_02(1)
公開日 2016-11-14
タイトル
タイトル 『ハック・フィン』はイニシエーションの物語か
タイトル
タイトル Is Huckleberry Finn a Story of Initiation?
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
雑誌書誌ID
収録物識別子タイプ NCID
収録物識別子 AN00144391
著者 田村, 晃康

× 田村, 晃康

WEKO 12653

田村, 晃康

ja-Kana タムラ, テルヤス

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TAMURA, Teruyasu

× TAMURA, Teruyasu

WEKO 12654

en TAMURA, Teruyasu

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著者所属(日)
文学部
記事種別(日)
内容記述タイプ Other
内容記述 論文
記事種別(英)
内容記述タイプ Other
内容記述 Monograph
抄録(英)
内容記述タイプ Other
内容記述 Quite a few scholars and critics refer to The Adventures of Huckleberry Finn as a story of initiation. We will see if it really is, by examining what two of them have to say. According to J. M. Cox, Huck Finn is a conscious continuation of Tom Sawyer, and the two boys are identical twins, not entirely separate individuals. At the end of Tom Sawyer the discovery of the treasure enables both the boys to enter the society of the respectable. Tom remains there (he attains initiation), but Huck cannot bear the civilized life. At the beginning of Huck Finn, he "kills himself" when he stages a mock murder of himself to escape from Pap. He is "dead" throughout the entire journey down the river. Huck is a man without identity who is reborn at almost every river bend. Finally, at the Phelps farm his initiation is completed; by playing the role of Tom, Huck is reborn as Tom Sawyer. This is roughly what Cox says. There are several points on which I cannot agree with him. Firstly his identification of Tom and Huck. They are definitely separate characters, who probably represent two opposite aspects of the author. Secondly, his idea of "initiation." Cox thinks of "initiation" simply as "acceptance into society," paying no attention to the initiate's state of mind. Thirdly, his meaningless use of the words "death" and "rebirth." He says that Huck is reborn time and again during the journey, but as long as it takes place while he is "dead," it cannot lead to any change in Huck's mind. What is called Huck's "death" and "rebirth" have nothing to do with his inner growth, or his initiation; it is no more than a play of words. Shuichi Motoda, on the other hand, starts from the right understanding of "initiation." He knows that the initiates in American literature sometimes rebel against civilized society and confront its evils. So he puts much stress on the element of the spiritual rebirth in initiation. On this understanding, he declares that the theme of this story consists in Huck's initiation, that Huck attains his spiritual rebirth when he determines to save Jim even at the risk of going to Hell. This interpretation, in its turn, leaves some matters inexplicable. If the theme of the story is Huck's initiation, then some of the episodes about the King and the Duke seem to be too long. In fact, they are so lengthy that they seem to impair the harmony of the whole story. Another problem is that we cannot find even a vestige of reborn Huck in the last ten chapters. As soon as Tom appears before him, Huck becomes his subordinate as he used to be. These problems suggest that Huck's rebirth is not the theme of this story. Motoda's interpretation does not seem to be justifiable, either.
書誌情報 中京英文学
en : Chukyo English literature

巻 7, p. 1-13, 発行日 1986-12-25
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内容記述タイプ Other
内容記述 5
アクセション番号
内容記述タイプ Other
内容記述 KJ00004530656
ISSN
収録物識別子タイプ ISSN
収録物識別子 02852039
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