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David GarnettとBloomsbury
https://chukyo-u.repo.nii.ac.jp/records/9831
https://chukyo-u.repo.nii.ac.jp/records/9831da73732d-af23-4c7b-b76f-4e94e0c1faf6
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004530572.pdf (1.8 MB)
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| Item type | [ELS]紀要論文 / Departmental Bulletin Paper_02(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-11-14 | |||||
| タイトル | ||||||
| タイトル | David GarnettとBloomsbury | |||||
| タイトル | ||||||
| タイトル | DAVID GARNETT AND BLOOMSBURY | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00144391 | |||||
| 著者 |
服部, 英二
× 服部, 英二× HATTORI, EIJI |
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| 著者所属(日) | ||||||
| 文学部 | ||||||
| 抄録(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | David Garnett's autobiographical Golden Echo trilogy (1953-1962) and his recent memoirs Great Friends (1979) disclose the hitherto unknown circumstances in which he became a full-fledged member of the innermost circle of Bloomsbury during the second and third decades of this century. According to these books, the famous 'Bloomsberries' were not in any formal sense a strictly organized 'group', but actually an amorphous set of very intimate friends of men and women who lived and met in the Bloomsbury district of London between the two world wars. Their common interests in art and literature, together with their independent and intelligent points of view in matters of life, mutually attracted themselves very closely, combining them in 'jolly hearty good-fellowship'. Secondly, they each and all tacitly believed in the superiority of their own communal way of life in varied fields of creative art when compared with any other style of individual life no matter how materially successful or how socially influential it might be. Thirdly, David Garnett with characteristic nonchalance makes frequent mention of small casual gatherings at 46 Gordon Square in London or at Charleston in Sussex. On these occasions, frankly penetrating, albeit cordially appreciative, criticism as well as discussions usually ensued for the sole benefit of each writer then still in embryo. Fourthly, one cannot gloss over something 'queer' of Blooms-bury ambiance, namely, the sexual climate of the 'dirty' Bloomsberries. All things considered, however, they were an intimately associated group of very talented young painters and writers, to whom the following epithets (in italics) may be deemed singularly appropriate: they were creative, original, unorthodox, unconventional, independent, irreverent (for traditional authority), secular yet unworldly. Furthermore, by temperament and inclination, most, if not all, of them, were disposed towards sexual amorality. | |||||
| 書誌情報 |
中京英文学 en : Chukyo English literature 巻 2, p. 1-30, 発行日 1982-01-20 |
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| 表示順 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 4 | |||||
| アクセション番号 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | KJ00004530572 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | ISSN | |||||
| 収録物識別子 | 02852039 | |||||
